A Charcoal Study

When I entered the architecture program at the University of Notre Dame in the fall of 1961, my first freehand drawing course began with charcoal studies of plaster casts. Being young and naive, I didn’t fully appreciate the pedagogy behind these tasks, but in hindsight, I can see now that these studies helped promote looking closely at geometric forms, noticing how light illuminated and reflected off of their surfaces, and appreciating the resulting subtle gradations of value. And then the challenge was trying to capture these visual qualities with a charcoal stick, a paper stump for smoothing and blending, and a kneaded eraser for lightening and creating highlights.