Here is a view of the interior of Trinity Church in Boston, showing how the sanctuary occupies one arm of the Greek-cross plan while the congregation occupies the airy crossing and the other three arms. Here is a video clip of the drawing process.
Being in Boston for a drawing workshop—sponsored by Suffolk University and hosted by Sandro Carella—gave me the opportunity to take another look at Trinity Church. A National Historic Landmark, the H. H. Richardson design is recognized as a masterpiece of American architecture. Although the parish was founded in 1733, it was more than 150 years before the current church was built on land-filled marshes in Boston’s Back Bay neighborhood.
Richardson replaced his initial idea of a Gothic Revival church with a Greek-cross auditorium plan that expresses the emerging, inclusive nature of American congregational practice, as inspired by the preaching of Phillips Brooks, Trinity’s Rector at the time of the building’s design and construction.
Despite its landmark status, Trinity Church is not a museum but rather it remains a place of worship and service where Christians and visitors gather on a daily basis.
Here is a video clip of the drawing process.
Back home in Seattle. Elltaes (Seattle spelled backward) Theatres LLC purchased the shuttered Bay Cinema property in 1998. While the original intention was simply to remodel the old wooden structure dating from the early 1900s, chairman Kenny Alhadeff wanted a more modern theater and so Weinstein A+U designed this new building, which was completed in 2002. The theater comprises a main auditorium on the ground floor and two smaller theaters on the third floor.
The most striking feature of the Bay is its marquee, below which sits the classic box office. The neon BAY letters from the old marquee were refurbished and is visible in the glass facade behind the marquee.
Here is a video clip of the process.
From Bengaluru, we drove to Mysore, where I met with faculty and students at the Wadiyar Centre for Architecture and toured Mysore Palace. The above is a 25-minute sketch of Mysore Palace I managed to do before leaving on the 5-hour drive to Calicut.
The residence of the Wadiyar Dynasty, the first palace dates from the 14th century and was built within the confines of the puragiri or citadel of Mysore. Over the centuries, the palace was rebuilt several times. The existing Indo-Saracenic structure, designed by the British architect Lord Henry Irwin, was constructed between 1897 and 1912, after the previous structure was extensively damaged during a fire in 1896.
Below is the entrance to the Royal Orchid Metropole where I had spent the night. This was originally built to serve as a residence for British guests of the Maharaja of Mysore.
Adjacent to Ballard Branch Library No. 3 is the Greenfire Campus, a two-building complex comprising apartments, offices, and a restaurant. Johnston Architects designed the campus with two ideas in mind: “sensible sustainability and social sustainability.” The first refers to the goal of balancing cost and performance while employing active and passive methods for heating, cooling, and daylighting; saving and filtering water for reuse; and wrapping interior spaces with an energy-efficient envelope.
The second idea explores the means to enhance the interaction between human activities and the natural environment can, including building in the sharing of amenities and providing for areas devoted to urban agriculture.
Here is a brief video clip of my drawing process.
This is Ballard Branch Library No. 3, at the corner of NW 57th Street and 22nd Avenue NW. The library was designed by Bohlen, Cywinski, Jackson to incorporate community meeting rooms as well as a neighborhood center providing services for veterans and employment assistance. Construction on the library began in February 2004 and it was opened to the public in May 2005.
This building replaced the now demolished Ballard Branch Library No. 2, which itself replaced the 1904 Carnegie Free Library in Ballard, which I drew six years ago.
To mark International Left Handers Day, which celebrates the “uniqueness and differences” of left handers in a predominantly right-handed world, here is a sequence of six drawings showing how I constructed the interior view of St. Mark’s Episcopal Cathedral I posted a couple of weeks ago. I first established a corner where two adjoining planes meet, and transformed these planes into a volume with the addition of four columns. Then, over this 3D framework, I developed the details on the columns, pews, windows, ceiling patterns, light fixtures, and sanctuary.
When drawing in an urban setting, there is often a degree of tension between including the context for a building in a wide-angle view and capturing the character of a building up close. Here are two drawings of Seattle’s Firehouse No. 18 that illustrate these two points of view.
Designed by Bebb & Mendel for housing horse-drawn fire engines and built in 1911, Firehouse No. 18 was in continuous use for 63 years. After it was declared surplus property by the City of Seattle, it was acquired by Historic Seattle, which holds a preservation easement on the property. A designated Seattle Landmark and listed in the National Register of Historic Places, the old firehouse is now home to the Hi-Life Restaurant.
Founded in 1980, the Nordic Heritage Museum occupied the former Daniel Webster Elementary School in a residential area of north Ballard before moving to its new home closer to downtown Ballard on May 5, 2018. The architectural firm of Mithun describes the central idea of their design thusly: “The new museum is organized around a linear ‘fjord’ that weaves together stories of homeland and the Nordic American experience. Bridges crossing the fjord intensify the experience of migration, connecting Nordic and Nordic American exhibits. A vertically-striated zinc skin wraps the building exterior; inside, fjord walls are composed of faceted white planes evoking its glacial origins.”
Below is an interior view of Fjord Hall, the central spine, along with a brief video clip of the process.
What in plan appears to be a logical mid-block pathway is often not so evident when seen at street level, especially when the pathway involves changes in direction and elevation amid a lot of vegetation. Here is a view of a pedestrian pathway that connects North 34th and North 35th Streets, drawn while sitting at The Masonry, sipping a beer, and looking north up toward A.B. Ernst Park.
The second view (and video) is from where an addition to A.B. Ernst Park is to be developed, looking down toward 34th Street, from where the first view was drawn.