Drawing not only involves capturing what we see or imagine in graphic terms. Indeed, while drawing on location, from direct observation, we can also notice and take notes as well. Here are a few examples from my sketchbooks. These observations may entail written information, word diagrams, and visual notes.
This view shows State Highway 20 approaching from the southwest and turning southeast through the middle of Winthrop, a small town at the confluence of the Methow and Chewuch rivers in the Methow Valley. While the town’s first postmaster, Guy Waring, is considered to be its founding father, the town is actually named after Theodore Winthrop, a 19th-century author who explored the Northwest in the 1850s.
What is striking about Winthrop’s main street is the Old West theme of the storefronts, the result of a westernization program that began in 1972 as Highway 20 through the North Cascades was nearing completion. Designed by architect Robert Jorgenson to promote tourism, the restoration was funded by local merchants along with a generous grant from lumber mill owners Kathryn and Otto Wagner.
In 2008, Yapı-Endüstri Merkezi (YEM) gave me the opportunity to offer a drawing workshop for Turkish students in Istanbul. After the two-day event, Dr. Meral Erdoǧan and Dr. Fulya Ozsel Akipek of Yildiz Technical University invited me to tour the Florya Atatürk Marine Mansion, summer residence of Mustafa Kemal Atatürk, founding father of the Republic of Turkey. Located along the shore of the Sea of Marmara, the Bauhaus style structure was designed by architect Seyfi Arkan and built in 1935. These quick sketches reflect a study of the design’s zoning and orientation to both shore and sea.