A narrow street in Old Dhaka, densely lined with decorated brick buildings and artisan shops specializing in the crafting of jewelry from conch shells. The following images show the evolution of the sketch, from a stream of consciousness approach to the overall composition, followed by the application of darker values that begin to define major shapes, and finishing with a few inked lines to suggest certain details. I definitely prefer laying ink lines over a watercolor rather than laying down watercolors over inked lines. The former technique fosters a freer approach to the laying down of color and value.
A view of Istanbul inspired by Ara Güler’s photographs that document the multilayered life of Istanbul from the 1940s to the 1980s, as well as my own memories of visits to that historic city that bridges east and west.
A brief word on process: First, a watercolor splash of Istanbul’s memorable skyline punctuated by her mosques and minarets. Then, a scan imported into Procreate on the iPad. Next, several attempts at foregrounding a hint of the steamers and smaller fishing boars that ply the Bosphorus.
This view shows State Highway 20 approaching from the southwest and turning southeast through the middle of Winthrop, a small town at the confluence of the Methow and Chewuch rivers in the Methow Valley. While the town’s first postmaster, Guy Waring, is considered to be its founding father, the town is actually named after Theodore Winthrop, a 19th-century author who explored the Northwest in the 1850s.
What is striking about Winthrop’s main street is the Old West theme of the storefronts, the result of a westernization program that began in 1972 as Highway 20 through the North Cascades was nearing completion. Designed by architect Robert Jorgenson to promote tourism, the restoration was funded by local merchants along with a generous grant from lumber mill owners Kathryn and Otto Wagner.
In 2008, Yapı-Endüstri Merkezi (YEM) gave me the opportunity to offer a drawing workshop for Turkish students in Istanbul. After the two-day event, Dr. Meral Erdoǧan and Dr. Fulya Ozsel Akipek of Yildiz Technical University invited me to tour the Florya Atatürk Marine Mansion, summer residence of Mustafa Kemal Atatürk, founding father of the Republic of Turkey. Located along the shore of the Sea of Marmara, the Bauhaus style structure was designed by architect Seyfi Arkan and built in 1935. These quick sketches reflect a study of the design’s zoning and orientation to both shore and sea.
It was reported last week that Turkey’s Council of State had granted President Recep Tayyip Erdogan permission to open the Hagia Sophia museum to Muslim prayer. It is sad to see the venerable structure, long a symbol of peaceful religious coexistence, being converted into a working mosque for what appears to be political reasons.
Built in the year 537 as an Orthodox Christian cathedral by the Byzantine emperor Justinian, Hagia Sophia was converted to an imperial mosque after the Ottoman conquest of Constantinople in 1453. But in 1934, the cabinet of Turkish leader Mustafa Kemal Ataturk decreed that it be turned into a museum. It subsequently became a Unesco World Heritage site much beloved by both local and foreign tourists for the awe-inspiring scale and beauty of its domed structure, along with its religious iconography and historical significance.
Because Hagia Sophia already has a remarkable record for enduring natural and artificially imposed disasters, there is hope. Hagia Sofia’s future is yet to be written.
Nine years ago, I posted on FB my appreciation of my mentor Forrest Wilson, who offered me my first teaching position at Ohio University and was instrumental in facilitating the publication of my first book, Architectural Graphics.
Today, I want to express my appreciation of Tunney Lee, Professor Emeritus at MIT, who passed away last week in Cambridge, MA. After serving as head of MIT’s Department of Urban Studies and Planning, Tunney founded the Department of Architecture at the Chinese University of Hong Kong in 1991. In 1993, Tunney offered me the opportunity to visit CUHK and work with his students and faculty. During my brief stay, I became impressed with the enthusiasm of the students and faculty as they worked hard at developing their creative and critical thinking skills as well as building the foundation for a new program. It was also an exciting and rewarding time for me personally when Dr. Ho Puay Peng was kind enough to accompany me to my ancestral village of Nam Bin in Guangzhou prefecture.
I will always remember Tunney as being a wise, inspirational leader as well as a caring friend and colleague.
During this stay-at-home time, I am continuing to post drawings from when I was a student a long time ago. Above are views of two Notre Dame cathedrals. I posted the first, Notre Dame on the Île de la Cité in Paris, a couple of months ago. The second is of the cathedral on the University of Notre Dame campus in South Bend, Indiana, drawn a few months before graduation in the spring of 1966.
Here is another set of drawings of the iconic view looking down Via de’ Pecori toward the Duomo in Florence, Italy. While construction of the cathedral began in 1296, it was not completed until 1436 with the dome designed by Filippo Brunelleschi. The first sketch above was done with a stub nib in 1965 and the second was drawn with a fine-tipped nib in 1995.
A brief interruption before I post the latter stages of my drawing of the Nikon FE2 SLR to honor the Chinese tradition of Qingming or Ching Ming (清明 – Tomb Sweeping Festival), which has been observed for more than 2500 years and falls this year on Saturday, April 4th. It is a time for Han Chinese to honor their ancestors, usually by visiting, cleaning, and bringing offerings to the tombs of the departed. In lieu of this, I am posting rubbings of the tombstones of my paternal grandparents, accompanied by their English translations.