Human faces are very difficult subjects, but made easier when frozen in stone as is this Roman river deity from the 2nd century AD.
The Tempietto is a small, elegant temple situated in an outer cloister of San Pietro in Montorio, reportedly the site of St. Peter’s crucifixion, on the eastern slope of Gianicolo Hill in Rome. King Ferdinand commissioned Donato Bramante to design the martyrium in the early 16th century. It is basically a cylindrical form ringed by a series of Tuscan columns and topped by a hemispherical concrete dome. This and other examples of western classical and renaissance architecture are difficult to draw well due to the genre’s precise attention to proportion and scale. It is relatively easy to distort their forms, as in this case, where the vertical axis tilts slightly and the cylindrical from droops downward and to the left.
Recalling memories of driving across Sicily in 2006 with Deb and friends Margie and Jim.
In this view of an art museum in Palermo, I am looking from an upper level, through a staircase in the middle ground, to a courtyard beyond. To convey a sense of spatial depth on the page, I attempted to use relative values and value contrast to suggest what is near, clarifying what is in the middle ground, and again merely suggesting what is far away. In the image below, I have stripped away the color to show the equivalent gray values of the sketch.
Came across this old car in southern Washington on a road trip a few years back. It’s a bit worn, having seen better days, but it still stands proud.
My best guess is that it’s an American Austin from the 1930s, a version of the English Austin 7 that was produced in Pennsylvania. The body of the relatively small, compact car was designed by the Russian-American industrial designer Alexis de Sakhnoffsky. Its short wheel base made it a popular choice for conversion into hot rods and drag racers in the 1960s. The Packrat nameplate on the grille might refer to a customizing shop in California.
Xia-Hai City God Temple, built in 1856, is nestled on Dihua Street in the Datong District of Taipei City. The temple hosts statues to the City God, the Chinese Cupid, and hundreds of other deities within its 152 square meters. In Chinese mythology, the City God originally protected the wall and moat of a city. Later, it became a deity who protected against natural disasters and administered to the spirits of the dead.
On the 14th day of the fifth lunar month each year, the temple hosts a City God Birthday Procession, which includes lion dances and other theatrical performances. In 1985, Taiwan’s Ministry of the Interior designated the temple a historical monument.
A narrow street in Old Dhaka, densely lined with decorated brick buildings and artisan shops specializing in the crafting of jewelry from conch shells. The following images show the evolution of the sketch, from a stream of consciousness approach to the overall composition, followed by the application of darker values that begin to define major shapes, and finishing with a few inked lines to suggest certain details. I definitely prefer laying ink lines over a watercolor rather than laying down watercolors over inked lines. The former technique fosters a freer approach to the laying down of color and value.
A view of the central garden courtyard around which the Casa Azul (Blue House) was built in 1904. Located in Coyoacán, one of the oldest neighborhoods in Mexico City, this casa is where Frida Kahlo was born in 1907, grew up, and where she died in 1954. Four years later, Casa Azul was turned into a museum dedicated to the life and work of Frida Kahlo.
The above image and following quote is from Drawing: A Creative Process.
“Merely looking at an apparently amorphous pattern can sometimes bring to a…searching mind a more specific image. In its search for meaning, the mind’s eye imagines and appears to project familiar images onto seemingly shapeless patterns until it finds a match that makes sense.” This recalls the familiar search for something recognizable when looking up at cloud formations.
The new year’s image I posted recently used as a backdrop this pattern that developed as I mixed and tested watercolors on a piece of paper. While squinting at that same colorful pattern, I can begin to “see” certain images. The following are two of several possibilities. What else can you see in these patterns?