Sant’Ivo alla Sapienza

Having been fortunate to be able to teach in Rome a few times, I have sketched the same sites on multiple occasions. It is interesting how these representations differ, either because of circumstances, such as heat or rain, a change in pen nibs or paper surface, or a slight change in viewpoint. Here, for example, are three drawings of Borromini’s Sant’Ivo alla Sapienza as its spiraling tower is seen rising above its surrounding courtyard and palazzo. I often encountered this view from the Piazza Sant’Eustachio as I walked from the Pantheon on my way to the Campo de’ Fiori.

The first view is my attempt from 2023. The second, from 2013, shows the difficulty I had in showing the relative scale of the church tower relative to its foreground and surroundings—the height of Sant’Ivo appears to be exaggerated.

The third, sketched in the extreme heat of the summer of 2022, is from a closer vantage point, nearer to the famous Sant’Eustachio Caffè.

Developing Fluidity

A few pages of quick studies done to demonstrate certain drawing principles to students. In some cases, they reflect the initial lines that provide a backbone or structure for a sketch to be developed as time permits. In others, they serve to illustrate how to establish proportional relationships, ascertain the horizon line in a scene, or work out the geometry of forms. Regardless of their purpose, the practice of doing these small sketches can contribute to the important development of fluidity of vision and line. 

Vittoriano

A sketch done in the early morning while waiting for students to arrive for a tour of the Vittoriano, an important national monument built between 1885 and 1935 to honor Victor Emmanuel II, first king of a unified Italy. Not your usual view of what some call “The Typewriter” or “The Wedding Cake,” taken from a small park looking east across Via del Teatro di Marcello.