Another drawing from my Japan sketchbook, this time of the Hozomon, a two-story gate leading to the courtyard of Sensoji Temple in the Asakusa district of Tokyo. Next to it I’ve placed a photo of Ando Hiroshige’s woodblock print, Kinryusan Temple at Asakusa, from his One Hundred Famous Views of Edo (1856). Different media but similar points of view, executed a hundred and thirty-six years apart. Hiroshige’s print is particularly interesting for his use of one-point perspective.