The Pantheon

The combined effects of the ongoing pandemic and current cold, rainy weather have made it increasingly difficult to leave the home office to go out to draw. So it’s a good time to explore new ways of working. Just as with the portrait of Istanbul posted previously, this familiar view of the Pantheon in the historic center of Rome was created through a hybrid process involving a watercolor underpainting, scanned and imported onto my iPad, and using the Procreate app to draw over the watercolor image.

Keep in mind that using a photograph as a reference is very much different from drawing on location, from direct observation. A photograph captures a moment in time and reflects the processing that flattens out three-dimensional data onto a two-dimensional surface. A drawing done on location, such as the view above, takes longer to execute and involves our senses, especially that of active seeing.

But in both cases, like a conversation, we do not know precisely where the drawing or painting process will lead. Even though we may have an objective in mind when we begin to draw, the sketch itself takes on a life of its own as it evolves on paper and we have to be open to the possibilities the emerging image suggests.