Queen Anne School opened in 1896 in a three-story, six-room, Richardsonian Romanesque-style building designed by Warren Skillings and James Corner. Over the years, several additions were made to incorporate more classrooms, an auditorium, and new offices. In 1908, it was renamed the West Queen Anne School to avoid confusion with Queen Anne High School then being constructed. This name can still be seen over the north, Galer Street entrance.
In 1975, it became the first Seattle school to be placed on the National Register of Historic Places and two years later, it became a City of Seattle Landmark. After the school closed in 1981, Historic Seattle obtained a long-term lease, which was subsequently transferred to West Queen Anne Association, who hired the architectural firm of Cardwell/Thomas and Associates to renovate and convert the school into 49 condominium units.
Visiting Vancouver BC for a few days gave me the opportunity to visit the Dr. Sun Yat Sen Classical Chinese Garden. Designed by Wang Zu-Xin with the help of the Landscape Architecture Company of Suzhou China, and constructed in 1985, it is said to be the first Scholar’s Garden built outside of China.
This is a sketch of the Jade Water Pavilion. The term jade water refers to the deliberate cloudiness of the pond water, which is supposed to intensify its reflections.
Here is a view of the interior of Trinity Church in Boston, showing how the sanctuary occupies one arm of the Greek-cross plan while the congregation occupies the airy crossing and the other three arms. Here is a video clip of the drawing process.
Being in Boston for a drawing workshop—sponsored by Suffolk University and hosted by Sandro Carella—gave me the opportunity to take another look at Trinity Church. A National Historic Landmark, the H. H. Richardson design is recognized as a masterpiece of American architecture. Although the parish was founded in 1733, it was more than 150 years before the current church was built on land-filled marshes in Boston’s Back Bay neighborhood.
Richardson replaced his initial idea of a Gothic Revival church with a Greek-cross auditorium plan that expresses the emerging, inclusive nature of American congregational practice, as inspired by the preaching of Phillips Brooks, Trinity’s Rector at the time of the building’s design and construction.
Despite its landmark status, Trinity Church is not a museum but rather it remains a place of worship and service where Christians and visitors gather on a daily basis.
Here is a video clip of the drawing process.
Back home in Seattle. Elltaes (Seattle spelled backward) Theatres LLC purchased the shuttered Bay Cinema property in 1998. While the original intention was simply to remodel the old wooden structure dating from the early 1900s, chairman Kenny Alhadeff wanted a more modern theater and so Weinstein A+U designed this new building, which was completed in 2002. The theater comprises a main auditorium on the ground floor and two smaller theaters on the third floor.
The most striking feature of the Bay is its marquee, below which sits the classic box office. The neon BAY letters from the old marquee were refurbished and is visible in the glass facade behind the marquee.
Here is a video clip of the process.
Following Mysore, my travels took me to the Design Ashram Community Organization in Calicut, where I taught a drawing workshop sponsored by World Architecture Travel. It was indeed a pleasure to walk the streets of Calicut and to sketch with a group of area architects and student interns.
To end my trip to India, I gave a presentation at the Zonal NASA Convention that the College of Architecture of Eranad Knowledge City hosted and spent two days drawing with students at Nilambur Kovilakam, the royal palace of the rajas who ruled the local area once known as Eranad 200 years ago.
Thanks to all who made my trip to India a memorable one.
From Bengaluru, we drove to Mysore, where I met with faculty and students at the Wadiyar Centre for Architecture and toured Mysore Palace. The above is a 25-minute sketch of Mysore Palace I managed to do before leaving on the 5-hour drive to Calicut.
The residence of the Wadiyar Dynasty, the first palace dates from the 14th century and was built within the confines of the puragiri or citadel of Mysore. Over the centuries, the palace was rebuilt several times. The existing Indo-Saracenic structure, designed by the British architect Lord Henry Irwin, was constructed between 1897 and 1912, after the previous structure was extensively damaged during a fire in 1896.
Below is the entrance to the Royal Orchid Metropole where I had spent the night. This was originally built to serve as a residence for British guests of the Maharaja of Mysore.
Many thanks to Anand Krishnamurthy and his colleagues of MASA (Alumni Association of the Malnad Architecture School) for giving me the opportunity to visit Bengaluru and address an audience of architects and students. Also had the opportunity to tour the city, visiting temples and markets. Above is a view of the city from my hotel balcony and below is a sketch of the flower market, where the activity became more important than the architecture.
Simply a view from where 28th Avenue NW ends just beyond NW 54th Street, offering public access to Salmon Bay.
This cast-aluminum sculpture by Richard Beyer is another Fremont landmark at the corner of North 34th Street and Fremont Avenue North, at the east end of the Fremont Bridge. Erected in 1978, it depicts five people waiting for the Seattle-Everett light rail line. Not shown in this view but included among the figures is a sixth (shown below), that of a dog with a face that resembles Armen “Napoleon” Stepanian, the unofficial Mayor of Fremont in her early days and with whom Beyer is supposed to have had several disagreements. The figures are often dressed by local residents in costumes appropriate to the season or to celebrate birthdays, weddings, even political events.