Here are a few sketches I did when attending another stimulating Design Communication Association conference held at Southern Polytechnic State University in Marietta, Georgia. The first are views from Marietta town square; the second is of SPSU’s architecture building; and the third was done during a tour of the High Museum of Art in Atlanta, showing Richard Meier’s building but not Renzo Piano’s addition that creates a piazza beyond.
On the last day of the Tacoma Line to Color Workshop this past weekend, we gathered at Stadium High School for an informal sketch crawl. This historic landmark, designed by Hewitt and Hewitt for the Northern Pacific Railway Company in 1891, was intended to be a luxury hotel but became instead a storage facility as a result of the Panic of 1893. After a fire in 1898 gutted the building, the Tacoma School District purchased the structure, which was renovated according to plans by the Federick Heath. Bassetti Architects and Merrit Pardini Architects undertook a major renovation, historic renovation, and seismic upgrade in 2005.
Thanks to my co-teacher Gail Wong and all of the participants in the workshop who endured a lot of hard work facing challenging scenes but displayed amazing progress over the course of the weekend. Their love of drawing and the wealth of sketching sites offered by Tacoma made the weekend both enjoyable and gratifying.
The morning before the symposium in Paraty started, a group of urban sketchers took a boat tour of the Baia de Paraty. Many thanks to Marilia Inke, who graciously arranged the pleasant outing on short notice. Even though it was a slightly overcast day, it was enjoyable to see the beautiful coast line around Paraty from another perspective. Perhaps what was most striking to me were the way the mountains formed a backdrop for the numerous islands seeming to float in the bay.
Arriving in Paraty a day before the 5th Urban Sketching Symposium started gave me a chance to walk around the town and do some drawing. This church attracted me because of its situation at the end of a street, where it commanded the intersection. To the left is the tourist information office and to the right is a self-serve gelato shop. Between the tourist information office and the church, you get a peek at the entrance to the Pousada do Sandi, where we were staying.
A view of Capela de N. Sra. das Dores in Paraty, Brazil, during the 2014 Urban Sketching Symposium. This will be one of the many sketches that will be sold tomorrow evening in a silent auction to benefit the Urban Aketchers organization. I’ve completed two workshops and have a third scheduled tomorrow morning. Great participants, enthusiastic and appreciative in a beautiful colonial village on the Bay of Paraty.
Gail Wong and I will be offering another Line to Color workshop, this time in Tacoma September 12–14. As in our two Seattle workshops last year, we’ll begin on Friday evening with an introductory sketching session followed by dinner and presentations at the historic Swiss Pub. On Saturday, we’ll work at the Tacoma Art Museum and in the Museum District. Then on Sunday, we’ll work in the Theater District and Antique Mall District. As always, it should be fun. And beginners are certainly welcome!
For more information and a complete schedule, visit <http://workshops.urbansketchers.org/2014/07/join-us-for-our-line-to-color-workshop.html>.
Opening tomorrow at the Seattle Art Museum is a special exhibition, Modernism in the Pacific Northwest: The Mythic and the Mystical, featuring the work of four artists central to the Northwest school of modern art—Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson. Tied to the exhibit is a special event on Saturday, June 28: A tour of the exhibit followed by a three-hour field sketching session at Pike Place Market led by Gabi Campanario, Gail Wong, and myself. For more information and to purchase tickets, visit the Seattle Urban Sketchers site at <http://seattle.urbansketchers.org>.
Thanks to Bob Krikac of the Washington State University’s School of Design and Construction, Gabi Campanario, Gail Wong and I were able to spend this past weekend conducting a series of drawing workshops in Pullman, Washington. It was great to see the energy and desire to draw among the mixed group of students, professionals, and individuals simply interested in urban sketching. After the teaching sessions on Saturday and Sunday morning, we all met at Bryan Hall with its iconic clock tower for a final sketchcrawl. Here are two of the three views that I managed to do.
We’ve spent the last few days in Savannah, Georgia, one of the largest National Historic Landmark Districts in the U.S. Savannah’s founder James Oglethorpe developed the original town plan on a grid centered around a series of squares. It’s instructive to see how the grid and series of park-like squares reveal themselves even today after all these years.
The purpose for our visit was to give a presentation and a series of workshops at the Savannah College of Art and Design. I’ll try to post a few drawings from the trip after our we return to Seattle. In the meantime, here are a few photos.
I am happy to announce that I have been selected to be among those who will be teaching workshops at the 5th International Urban Sketching Symposium to be held August 27–30, 2014 in Paraty, a historic Portuguese colonial town situated on the lush coastline between São Paulo and Rio de Janeiro. To be able to meet and draw with urban sketchers from all over the world in such a beautiful setting is a rare privilege.
For more information and to keep up with the latest news, see <http://paraty2014.urbansketchers.org>.