The day before the Urban Sketching Symposium started in Singapore, I wandered along Waterloo Street, the site of my workshop. I came upon this Chinese temple, seemingly grafted onto a three-story office building.
In contrast to the Waterloo Street temple is the Thian Hock Keng Temple in the Chinatown district, which is one of the oldest Hokkien temples in Singapore. The more traditional layout was completed in 1842 to accommodate Chinese immigrants giving thanks for a safe voyage. Because of the heavy street traffic, I decided to focus on the composition of tiled roofs and animated ridge and hip lines, leaving the rest to the imagination.
The Raffles Hotel is an icon in Singapore, having been established in 1887 by two Armenian brothers. Named after Stamford Raffles, the founder of modern Singapore, it was designed by the architect Regent Alfred John Bidwell of Swan and Maclaren.
This view, looking down Seah Street from North Bridge Road, is one of the many drawings done during the 6th International Urban Sketchers Symposium in Singapore that wIll be auctioned off to benefit the urban Sketchers organization.
A month after attending the 6th International Urban Sketchers Symposium in Singapore (See http://singapore2015.urbansketchers.org), I will be joining Norberto Dorantes, Simone Ridyard, and Climaco Cardenas in conducting a series of workshops, offering demonstrations, and leading sketch crawls in Amsterdam and Liverpool over two long weekends, August 13–23. For more information about the schedule of events and registration, please visit http://www.sketchiton.com.
And finally, to cap off the summer, Gail Wong and I will be teaching another Line to Color workshop in Portland, Oregon, September 25–27. To find out more about this event, you can email Gail at email@example.com.
We spent two wonderful and gratifying days in Orange County last weekend, drawing at the Mission San Juan Capistrano, along the Laguna Beach promenade, and in the confines of the Lumberyard courtyard. Thanks to all of the workshop participants for their enthusiasm, hard work, and high spirits.
Despite the numerous books, and now videos, on sketching and drawing that are available, they cannot match the immediacy of hands-on teaching and learning. It is difficult to replicate the experience of standing or sitting side-by-side, looking out at the same scene, and discussing and demonstrating the ways of seeing that are crucial to on-location drawing.
Urban Sketchers Singapore and Temasek Polytechnic are hosting the 6th International Urban Sketchers Symposium this year. There’s a great lineup of faculty and presenters who will be offering workshops, lectures, and other activities from the 22nd through the 25th of July. For more information about the schedule, programming, and registration information, please visit: <http://singapore2015.urbansketchers.org>.
Gail Wong and I will be offering a Line to Color workshop in Orange County, CA, May 1–3. We’re excited to be able to explore and sketch locations at Mission San Juan Capistrano, Laguna Beach, and Balboa Beach. This event is being co-hosted by the Orange County Chapter of the AIA. For more information and to sign up, please see <http://workshops.urbansketchers.org/2015/02/line-to-color-workshop-orange-county.html>.
After last weekend’s workshop, Xavier Benedict and I took a day trip to Mamallapuram, site of several Hindu shrines and temples. These examples of the stone-carving tradition of Pallava art and architecture are set amid a landscape strewn with mammoth granite boulders on the Bay of Bengal, 35 miles south of Chennai.
The Shore Temple, a Unesco World Heritage Site, is so named because of its siting on a promontory close by the shore of the Bay of Bengal. The 8th-century complex of three temples is famous for its profile surrounded by a low enclosure surmounted by Nandis, seated bulls that serve as the mount of the god Shiva.
Unlike the Shore Temple, which is constructed and carved from granite blocks, the Five Rathas is a 7th-century complex of monolithic rathas (chariots) hewn whole from enormous boulders of granite. These South Indian Dravidian structures, also classified as a UNESCO World Heritage Site, were never completed nor consecrated.
Thanks again to Xavier Benedict for his generous and gracious hospitality. For photos of the workshop, see Xavier Benedict’s Facebook page at <https://www.facebook.com/xavier.benedict.581/media_set?set=a.10204523441180918&type=1&pnref=story>.
My second attempt at entering India was successful and we began the first of two days of a drawing workshop sponsored by the AARDE foundation. Many thanks to Xavier Benedict for hosting my visit and to the students and architects who persevered and returned to make this weekend possible. We began at the Luz Church, built in 1516, and then moved onto the 7th century Kapaleeshwarar Temple in the Mylapore neighborhood of Chennai. Here is the group in front of the main doorway and a quick study I did of the interior of the temple complex. The temple architecture is a difficult subject because of the multiple layers of sculptural details. The approach has to first establish the geometric framework that holds the details together. Tomorrow we head to Parry’s Corner to visit a prime example of Indo-Saracenic architecture.
Before looking forward to new and rewarding sketching prospects in 2015, I want to take a look back with appreciation for the opportunities to conduct workshops during the past year. I will always be grateful for these chances to connect with others who share the same passion for drawing.
A sketch of the campus clock tower at the ending session of the workshop at Washington State University with Gail Wong and Gabi Campanario.
Enjoying a cool Itaipava on the Praia do Jabaquara during the Urban Sketchers Symposium in Paraty, Brazil.
A view from inside Tully’s coffee shop during the Line to Color workshop with Gail Wong in Tacoma, Washington.
Here are a few sketches I did when attending another stimulating Design Communication Association conference held at Southern Polytechnic State University in Marietta, Georgia. The first are views from Marietta town square; the second is of SPSU’s architecture building; and the third was done during a tour of the High Museum of Art in Atlanta, showing Richard Meier’s building but not Renzo Piano’s addition that creates a piazza beyond.