I spent an enjoyable weekend in Portland co-teaching a Line-to-Color workshop with Gail Wong. We had the benefit of pleasant weather, Portland offers great sketching sites, and we had the opportunity to work with an ardent group of sketchers. As in any workshop, there is little time to sketch on one’s own but I managed to do one before the group met on Sunday morning and a couple more later on in the afternoon when members of the Portland Urban Sketchers joined our group at the Portland Saturday Market site on the riverfront.
Here are a few more sketches from my recent visit to Manhattan, Kansas. The second is of the International Student Center, which I studied because of its unusual inward orientation to a courtyard, unlike most of the other structures on the KSU campus.
I did this very quick sketch during a walk through the 8000-acre Konza Prarie, a former cattle ranch and now a tallgrass prarie preserve in the Flint Hills of northeastern Kansas, jointly owned by the Nature Conservancy and Kansas State University, which conducts ecological research and manages conservation in the preserve. I drew only the path ahead of me and a treeline in an arroyo between two ridges. All of that white space you see are prarie grasses, a mix of big bluestem, little bluestem, Indiangrass, and switchgrass.
One final post on Singapore. Walking around the city during the Urban Sketching Symposium, I drew a few scenes that illustrate diverse aspects of this metropolis, with evidence of its Colonial past, ethnic neighborhoods, and modern skyscrapers co-existing in a modern Asian city-state. In the last sketch, the circle with SG above the number 50 refers to this year being the 50th anniversary of Singapore’s separation from Malaysia and formation as an independent republic on August 9, 1965.
The first day in Singapore, I wandered over to the Kampong Glam neighborhood of Singapore to sketch the Masjid Sultan (Sultan Mosque). Constructed in 1824 as a one-story structure for Sultan Hussein Shah, the first sultan of Singapore, the mosque was remodeled and enlarged in 1932 to its present form. Relative to the surrounding street grid, the mosque was skewed, perhaps to orient the mihrab to Mecca. It was important for me to capture this subtle shift as I drew this view looking down the pedestrian way of Bussorah Street.
A few days later, I again visited the area hoping to draw one of the side streets. Instead, I chose to enjoy a refreshing iced coffee at an outdoor cafe with a view both of the Masjid Sultan as well as some the shops along Baghdad Street.
The day before the Urban Sketching Symposium started in Singapore, I wandered along Waterloo Street, the site of my workshop. I came upon this Chinese temple, seemingly grafted onto a three-story office building.
In contrast to the Waterloo Street temple is the Thian Hock Keng Temple in the Chinatown district, which is one of the oldest Hokkien temples in Singapore. The more traditional layout was completed in 1842 to accommodate Chinese immigrants giving thanks for a safe voyage. Because of the heavy street traffic, I decided to focus on the composition of tiled roofs and animated ridge and hip lines, leaving the rest to the imagination.
The Raffles Hotel is an icon in Singapore, having been established in 1887 by two Armenian brothers. Named after Stamford Raffles, the founder of modern Singapore, it was designed by the architect Regent Alfred John Bidwell of Swan and Maclaren.
This view, looking down Seah Street from North Bridge Road, is one of the many drawings done during the 6th International Urban Sketchers Symposium in Singapore that wIll be auctioned off to benefit the urban Sketchers organization.
After the Orange County workshop, Deb and I spent a day at the Getty Center, a campus of the Getty Museum in the Brentwood neighborhood of LA. The complex of galleries, library, offices, and research institute designed by Richard Meier is situated along two ridges of a hill in the Santa Monica Mountains. The architecture is striking, but as I noted on my sketch of the museum courtyard, the most attractive and enjoyable part of our visit were the landscaped open spaces and gardens created by the architecture. Notable is the Central Garden designed by artist Robert Irwin.
We spent two wonderful and gratifying days in Orange County last weekend, drawing at the Mission San Juan Capistrano, along the Laguna Beach promenade, and in the confines of the Lumberyard courtyard. Thanks to all of the workshop participants for their enthusiasm, hard work, and high spirits.
Despite the numerous books, and now videos, on sketching and drawing that are available, they cannot match the immediacy of hands-on teaching and learning. It is difficult to replicate the experience of standing or sitting side-by-side, looking out at the same scene, and discussing and demonstrating the ways of seeing that are crucial to on-location drawing.
Urban Sketchers Singapore and Temasek Polytechnic are hosting the 6th International Urban Sketchers Symposium this year. There’s a great lineup of faculty and presenters who will be offering workshops, lectures, and other activities from the 22nd through the 25th of July. For more information about the schedule, programming, and registration information, please visit: <http://singapore2015.urbansketchers.org>.
Photo by Flora Goldwaithe
This past weekend, I took a road trip with Deb and friends to Tokeland, Washington, a narrow spit that juts out where the Pacific Ocean curves in to form Willapa Bay. The Tokeland Hotel where we stayed is a National Historic landmark, built in 1885 as a farmstead home and later enlarged in 1899 to become a hotel. Abandoned in 1984, the hotel was restored in 1989 and is now a tranquil getaway in southwest Washington. This is a panoramic view of the “front” of the hotel, set in a meadow facing onto Willapa Bay.